
It’s fascinating to look at the pictures in Cromer Museum of the packed crowds on Cromer pier, lining the slopes and promenade, peering over into the waves. The only difference defining the separation of centuries, being the Victorian fashions. And it is somehow reassuring to think of them mesmerised by the same glorious sun rising and setting from this very pier. The certainty is comforting but the repeating patterns of human behaviour, a little uncanny.

Once or twice , whilst taking a promenade upon the pier, I have overheard a child speak of their fear of walking above the waves, suspended as it seems, between sea and sky. Their vulnerabilty wrongly scoffed at by the adults ‘in charge’. The children are right to be afraid. Perhaps foolishly, many adults (myself included) have dodged the powerful waves plummeting over the promenade, to stand on the pier in the centre of a storm to enjoy the thrill of the sublime, in awe, soaked to the skin on the shaking pier. But the child’s intuitive fear may recognise the fragility of the pier against these tidal surges. Time after time this pier has been rebuilt. It first existed as more of a jetty in 1392 and throughout the following centuries to this day, is has been battered, destroyed and rebuilt. A symbol perhaps of hopeful human endeavour.

Perhaps there are other reasons for the child’s instictive shivers. From these layers of history, ghosts are said to abound drifting over these wooden planks. Mediums, paranormal investigation teams and the TV crew of ‘Most Haunted’ have been hypnotised by the pull of Cromer Pier. Medieval men soullessly searching for their lost home of Shipden; ghostly lifeboat men -their committment to the rescue imprinted on this place forever and beneath the pier, along the sea’s edge,the legendary Black Shuck, orphaned from his drowned master, growling ferociously, preventing swimming children from returning to the shore and instead ensuring they rest in a watery grave.

The pier is illuminated at night – from a distance,a starry walkway across the waves. It is eerie indeed, when dashing towards the pavillion, often bowed right over against the force of the wind, through the ink splodge skies- the waves roaring all around you – as you head for showtime at the end of the pier, out at sea.The legendary Irish impressario Dick Corden is said to still tred the board with his ghostly step; his laughter haunting the corridors. Regular reports come from bar staff of glasses being propelled from the shelves by poltergiests. But perhaps most disturbing, is the presence of Elizabeth. She met a grisly death murdered on stage and became a trapped sorrowful soul doomed to haunt the stage for evermore.

One evening, after the show had finished, I left the theatre to be met with a dark silence – Cromer had been locked down – curtains drawn, lights out, bars closed and shuttered against the rampage of unwanted visitors who had descended, terrorised the town and departed. It was as if time had stood still, walking back through those suspended streets, and as if my footsteps too, were leaving their own ghostly trail.














